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NewsDER WEISSE BÜFFEL (2-Disc Collector's Edition Nr. 86) - ab dem 27.12.2024 im Mediabook
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leeloo
... mit mieser chupze [aka Aggro-Tante]
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Ich hab am Wochenende in die Disk in die ersten 30 Min rein geschaut, war aber zu müde für den ganzen Film.
Fand das Bild jetzt eher… naja, wechselhaft, um es mal positiv auszudrücken. 🤷🏻♂️
mukki
Bronson Fan
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Ja, ich war nur enttäuscht im Vergleich zur Erstauflage der Blu-ray.Ich hab am Wochenende in die Disk in die ersten 30 Min rein geschaut, war aber zu müde für den ganzen Film.
Fand das Bild jetzt eher… naja, wechselhaft, um es mal positiv auszudrücken. 🤷🏻♂️
Kino Lorber hatte den Film ja vor ein paar Jahren zusammen mit "Chato's Land", Breakheart Pass, Mr Majestyk" in den USA auf Blu-ray herausgebracht.
Zwei oder drei Jahre später dann nochmal alle vier Filme mit neuem 2k Master. Bei "Mr Majestyk" ist das neue Master ganz klar besser. Das sieht man direkt. "Bei "Chato's Land" und "Breakheart Pass" auch.
Bei "The White Buffalo" ist mir jetzt kein sichtbarer Sprung zur Erstveröffentlichung aufgefallen. Da war ich schon negativ überrascht.
Dachte mir dann aber, dass man das wahrscheinlich dann sehen wird, wenn man sowohl die Erstausgabe und die Zweitausgabe der Blu-ray parallel laufen lässt, aber das kann ich natürlich nicht, weil ich nur einen TV habe.
mukki
Bronson Fan
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Der Kino Lorber Reviewer spricht allerdings von einer klaren Verbesserung gegenüber der Erstveröffentlichung;
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The White Buffalo arrives on Blu-ray courtesy of Kino Lorber.
The White Buffalo made its high-definition debut with this release, also from Kino Lorber, in 2015, which was sourced from an old and quite underwhelming master that comes from the DVD era. This recent release is sourced from an exclusive new 2K master that was struck from an interpositive. It is quite the revelation because now viewing The White Buffalo is a pretty different experience.
Well-lit and darker footage look quite a bit better, and backgrounds routinely reveal superior finer nuances. On the previous release, which was also encoded with improper gamma levels, distracting flatness and softness is practically everywhere. Delineation, clarity, and depth are very pleasing, though I have to say that there is room for various meaningful improvements. For example, darker areas should convey more convincing shadow nuances, while some of the daylight panoramic footage can have even better highlights. There are no traces of problematic digital corrections. However, grain exposure could be a bit uneven. Color balance is good and stable. But this is another area where meaningful improvements can be made, and if they are, the dynamic range of the visuals will be better as well. While viewing the new 2K makeover, I noticed quite a few small surface imperfections, like dark spots, blemishes, and dirt. However, there are no large distracting cuts, warped or torn frames to report. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The White Buffalo arrives on Blu-ray courtesy of Kino Lorber.
The White Buffalo made its high-definition debut with this release, also from Kino Lorber, in 2015, which was sourced from an old and quite underwhelming master that comes from the DVD era. This recent release is sourced from an exclusive new 2K master that was struck from an interpositive. It is quite the revelation because now viewing The White Buffalo is a pretty different experience.
Well-lit and darker footage look quite a bit better, and backgrounds routinely reveal superior finer nuances. On the previous release, which was also encoded with improper gamma levels, distracting flatness and softness is practically everywhere. Delineation, clarity, and depth are very pleasing, though I have to say that there is room for various meaningful improvements. For example, darker areas should convey more convincing shadow nuances, while some of the daylight panoramic footage can have even better highlights. There are no traces of problematic digital corrections. However, grain exposure could be a bit uneven. Color balance is good and stable. But this is another area where meaningful improvements can be made, and if they are, the dynamic range of the visuals will be better as well. While viewing the new 2K makeover, I noticed quite a few small surface imperfections, like dark spots, blemishes, and dirt. However, there are no large distracting cuts, warped or torn frames to report. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).